Exhibition dates: 5th September 2015 – 6th December 2015
Curator: Anna Tellgren
Francesca Woodman (1958-1981) achieved more in five years of artistic creativity than many artists achieve in a lifetime.
As a viewer you can read whatever you want into her photographs: feminism, surrealism, psychoanalytical theory, avant-garde, sexuality, gender, identity, sadness, happiness, joy. One of Francesca Woodman’s teachers was Aaron Siskind but you can also feel echoes of Diane Arbus, the conceptual, narrative mystery of Duane Michals, the postmodern generation of Cindy Sherman (1977 onwards) and, someone who nobody mentions as an influence, the darkness of Ralph Eugene Meatyard (family members enacting symbolic dramas in masks, often set in abandoned places). Woodman also places masks on or off of her face. Further, “There are similarities in style to surrealistic photography, such as Woodman’s frequent use of mirrors, doubles, shadows, gloves, hands, swans, fish, eels, masks, and sexual symbols. Photographers such as Hans Bellmer, Claude Cahun, and Man Ray spring to…
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